Deladier Almeida

Del’s paintings are neither traditionally nor predictably beautiful. They are quirky and “deceptive” in a positive manner. Realism, a term overused to describe paintings that imitate the subjects represented, is of course deceptive on the face of it. All art is inherently abstract, that is to say, not the actual thing but a depiction of it. Part of Del’s magic is the sophisticated way he pivots back and forth between representational art and abstraction. The viewer, especially the casual one, feels comfort in the familiar rural landscape imagery.

Biography

Del Almeida’s landscape paintings reflect a skill and intelligence that allows them to stake out a territory unto themselves, despite the artist’s acknowledgment of sources such as Wayne Thiebaud and Roland Petersen, with whom he studied at Davis. Del’s paintings are neither traditionally nor predictably beautiful. They are quirky and “deceptive” in a positive manner. Realism, a term overused to describe paintings that imitate the subjects represented, is of course deceptive on the face of it. All art is inherently abstract, that is to say, not the actual thing but a depiction of it. Part of Del’s magic is the sophisticated way he pivots back and forth between representational art and abstraction. The viewer, especially the casual one, feels comfort in the familiar rural landscape imagery. No modernist trickery here. But then, a closer look reveals elements that betray a playful mind at work behind the keen observation. The artist confounds his audience, producing a reassuring superficial reality and then shaking it up by digging deeper.

Despite the thought and calculation that go into the construction of an Almeida composition, when the actual painting begins he intentionally shifts method. Determined not to think or control what is taking place, he awaits the emergence of the unplanned images. When they appear they just take over. “There’s a lot going on, which is completely happening on its own.” And then: “You know, this is a painting!”

Born in Brazil, Almeida has lived in California since the mid-1980s, earning his degree from the University of California, Davis. He has exhibited his work at galleries, museums, and art fairs including the San Francisco Museum of Modern Art, the John Natsoulas Center for the Arts in Davis, and the Bennington Center for the Arts, Vermont.

Education

1990      Studio Art, University of California, Davis.

Studied with Roy de Forest, David Hollowell,

Roland Petersen, and Wayne Thiebaud.


Selected Solo Exhibitions

2021       Shape & Structure, Caldwell Snyder Gallery, San Francisco

2019       California & Tuscany - Abstracted Landscapes, Caldwell Snyder Gallery, St. Helena

2018       Geometry of Chance, Caldwell Snyder Gallery, San Francisco

                 New Landscapes, Elliott Fotus Gallery, Sacramento, CA.

                 New Landscapes, Sorelle Gallery, New Canaan, CT.

2017       Landscapes of Tuscany and Rural California, Caldwell Snyder Gallery, St. Helena, CA.

2016       Rural Abstractions, Caldwell Snyder Gallery, San Francisco

2015       Caldwell Snyder Gallery, St. Helena, CA.

                 Blue Rain Gallery, Santa Fe, NM.

2014       Aerial Abstractions, Campton Gallery, New York, NY.

                 Southwest Landscape, Blue Rain Gallery, Santa Fe, NM.

2013       The Calligraphy of Water: Landscapes of Rural California,  Caldwell Snyder Gallery, St. Helena, CA.

                   Blue Rain Gallery, Santa Fe, NM.

                   The Cultivated Landscape: A Tuscan Travelogue, Knowlton  Gallery, Lodi, CA.

                   Geometry of Gravity: California Landscapes & Still Lifes,  Caldwell Snyder Gallery, San Francisco, CA.

2012        California Landscapes, Caffe Museo, San Francisco Museum  of Modern Art, San Francisco, CA.

                   Picture Perfect, Christian Hohmann Gallery, Palm Desert, CA.

                   Hidden Symmetries, Knowlton Gallery, Lodi, CA.

2011        Mirada Fine Art Gallery, Denver, CO.

                   New New Mexico Landscapes and Grand Tour Figures, Blue  Rain Gallery, Santa Fe, NM.

                   Geometry of Occupation, Knowlton Gallery, Lodi, CA.

2010        World Figures and California Landscapes, Christian Hohmann Gallery, Palm Desert, CA.

                   New Mexico Landscapes, Blue Rain Gallery, Santa Fe, NM.

                   8th Annual California Landscape, John Natsoulas Gallery,  Davis, CA.

2009        New Paintings, John Natsoulas Gallery, Davis, CA.

                   Paintings of the Delta, Senator Lois Wolk’s office, California  State Capitol, Sacramento, CA.

                   7th Annual California Landscape, John Natsoulas Gallery,  Davis, CA.

2008        Geometry of Occupation, John Natsoulas Gallery, Davis, CA.

                   6th Annual California Landscape, John Natsoulas Gallery,  Davis, CA.

2007        Annual Figuration, John Natsoulas Gallery, Davis, CA.

2006        Portraits of Artists, Art Historians and Patrons of the Arts, California Landscapes, John Natsoulas Gallery, Davis, CA.

Press

PRESS

Selected Artworks

Pomeriggio

Pomeriggio

Oil on Canvas

60 x 60 inches

210044

Chianti Spring | SOLD

Chianti Spring | SOLD

Oil on Canvas

48 x 48 inches

210005

Belonging

Belonging

Oil on Canvas

60 x 48 inches

210004

After the Rain

After the Rain

Oil on Canvas

48 x 48 inches

210003

Late Summer Light

Late Summer Light

Oil on Canvas

50 x 78 inches

200441

Happy Now?

Happy Now?

Oil on Canvas

11 x 14 inches

190590

Melon Up

Melon Up

Oil on Canvas

14 x 11 inches

190589

St. Helena Slidescape

St. Helena Slidescape

Oil on Canvas

30 x 40 inches

190532

Gray Displacement

Gray Displacement

Oil on Canvas

30 x 30 inches

190496

Education

1990      Studio Art, University of California, Davis.

Studied with Roy de Forest, David Hollowell,

Roland Petersen, and Wayne Thiebaud.


Selected Solo Exhibitions

2021       Shape & Structure, Caldwell Snyder Gallery, San Francisco

2019       California & Tuscany - Abstracted Landscapes, Caldwell Snyder Gallery, St. Helena

2018       Geometry of Chance, Caldwell Snyder Gallery, San Francisco

                 New Landscapes, Elliott Fotus Gallery, Sacramento, CA.

                 New Landscapes, Sorelle Gallery, New Canaan, CT.

2017       Landscapes of Tuscany and Rural California, Caldwell Snyder Gallery, St. Helena, CA.

2016       Rural Abstractions, Caldwell Snyder Gallery, San Francisco

2015       Caldwell Snyder Gallery, St. Helena, CA.

                 Blue Rain Gallery, Santa Fe, NM.

2014       Aerial Abstractions, Campton Gallery, New York, NY.

                 Southwest Landscape, Blue Rain Gallery, Santa Fe, NM.

2013       The Calligraphy of Water: Landscapes of Rural California,  Caldwell Snyder Gallery, St. Helena, CA.

                   Blue Rain Gallery, Santa Fe, NM.

                   The Cultivated Landscape: A Tuscan Travelogue, Knowlton  Gallery, Lodi, CA.

                   Geometry of Gravity: California Landscapes & Still Lifes,  Caldwell Snyder Gallery, San Francisco, CA.

2012        California Landscapes, Caffe Museo, San Francisco Museum  of Modern Art, San Francisco, CA.

                   Picture Perfect, Christian Hohmann Gallery, Palm Desert, CA.

                   Hidden Symmetries, Knowlton Gallery, Lodi, CA.

2011        Mirada Fine Art Gallery, Denver, CO.

                   New New Mexico Landscapes and Grand Tour Figures, Blue  Rain Gallery, Santa Fe, NM.

                   Geometry of Occupation, Knowlton Gallery, Lodi, CA.

2010        World Figures and California Landscapes, Christian Hohmann Gallery, Palm Desert, CA.

                   New Mexico Landscapes, Blue Rain Gallery, Santa Fe, NM.

                   8th Annual California Landscape, John Natsoulas Gallery,  Davis, CA.

2009        New Paintings, John Natsoulas Gallery, Davis, CA.

                   Paintings of the Delta, Senator Lois Wolk’s office, California  State Capitol, Sacramento, CA.

                   7th Annual California Landscape, John Natsoulas Gallery,  Davis, CA.

2008        Geometry of Occupation, John Natsoulas Gallery, Davis, CA.

                   6th Annual California Landscape, John Natsoulas Gallery,  Davis, CA.

2007        Annual Figuration, John Natsoulas Gallery, Davis, CA.

2006        Portraits of Artists, Art Historians and Patrons of the Arts, California Landscapes, John Natsoulas Gallery, Davis, CA.

Biography

Del Almeida’s landscape paintings reflect a skill and intelligence that allows them to stake out a territory unto themselves, despite the artist’s acknowledgment of sources such as Wayne Thiebaud and Roland Petersen, with whom he studied at Davis. Del’s paintings are neither traditionally nor predictably beautiful. They are quirky and “deceptive” in a positive manner. Realism, a term overused to describe paintings that imitate the subjects represented, is of course deceptive on the face of it. All art is inherently abstract, that is to say, not the actual thing but a depiction of it. Part of Del’s magic is the sophisticated way he pivots back and forth between representational art and abstraction. The viewer, especially the casual one, feels comfort in the familiar rural landscape imagery. No modernist trickery here. But then, a closer look reveals elements that betray a playful mind at work behind the keen observation. The artist confounds his audience, producing a reassuring superficial reality and then shaking it up by digging deeper.

Despite the thought and calculation that go into the construction of an Almeida composition, when the actual painting begins he intentionally shifts method. Determined not to think or control what is taking place, he awaits the emergence of the unplanned images. When they appear they just take over. “There’s a lot going on, which is completely happening on its own.” And then: “You know, this is a painting!”

Born in Brazil, Almeida has lived in California since the mid-1980s, earning his degree from the University of California, Davis. He has exhibited his work at galleries, museums, and art fairs including the San Francisco Museum of Modern Art, the John Natsoulas Center for the Arts in Davis, and the Bennington Center for the Arts, Vermont.

Deladier Almeida

Press

Deladier Almeida

Del’s paintings are neither traditionally nor predictably beautiful. They are quirky and “deceptive” in a positive manner. Realism, a term overused to describe paintings that imitate the subjects represented, is of course deceptive on the face of it. All art is inherently abstract, that is to say, not the actual thing but a depiction of it. Part of Del’s magic is the sophisticated way he pivots back and forth between representational art and abstraction. The viewer, especially the casual one, feels comfort in the familiar rural landscape imagery.

SAN FRANCISCO

UNION SQUARE

 

341 Sutter Street
San Francisco, California 94108

Monday - Saturday, 11am - 5pm

Sunday by appointment 

415.392.2299

ST. HELENA

NAPA VALLEY

 

1328 Main Street
St. Helena, California 94574

Monday - Saturday, 10am - 5pm

Sunday 11am - 5pm

707.200.5050

MONTECITO

SANTA BARBARA

 

1266 Coast Village Road
Santa Barbara, California 93108

Monday, Thursday - Saturday, 10am - 5pm

Sunday, 11am - 5pm

Tuesday - Wednesday by Appointment

805.770.7170

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